IELTS PRACTICE AUDIO SCRIPT

Audioscripts IELTS Practice 16 Listening Test 03

Listen to the audio and read the transcript for this Auvoxi listening practice test for IELTS preparation. This page includes audio and transcript only.
Audio Script

Part 1

Part 1

Part 1

You will hear a father phoning to enquire about a surfing and beach camp for his daughter.

First, you have some time to look at questions 1 to 5.

[Pause]

Now listen carefully and answer questions 1 to 5.

Staff: Ocean Blue Surf School, Matt speaking.

Father: Hello. I’m calling to ask about the holiday surf camp for children. I’m thinking of signing my daughter up.

Staff: Excellent. We run the camp every morning from Monday to Friday during the summer. We focus on water confidence and surfing basics. How old is your daughter?

Father: Her name is Alice. She’s eight years old. She’s a strong swimmer, but she’s never tried surfing before.

Staff: That’s absolutely fine. At eight, she wouldn't be in the 'Dolphins' class—that's for older kids. She will be in the 'Starfish' group. That’s specifically for beginners aged seven to nine.

Father: Oh, that’s good to know. I assume you don’t take them out into the deep waves immediately?

Staff: Definitely not. They start off practising their balance on the sand. Then, for the first couple of days, they spend all their time in the rock pools. It’s much safer there, and they can get used to handling the board without dealing with large crashing waves.

Father: That sounds very sensible. How will I recognize the instructors? There are usually so many people on the beach.

Staff: We make sure our staff are very visible. Our three senior managers walk around in black wetsuits. But the actual instructors for the children’s groups all wear bright orange caps. You really can’t miss them.

Father: Orange caps. Got it. And are the instructors fully qualified? I mean, do they have any special safety training?

Staff: Absolutely. We take safety very seriously. All our staff must provide a clean police background check. And, before they are allowed to teach anyone, it is mandatory that they hold a current certificate in First Aid.

Father: That’s reassuring. And what about the group sizes?

Staff: We keep them small. A maximum of six children per instructor. It means they get plenty of attention. They spend most of the time in the water, but we also do beach activities. For example, if they get a bit tired or cold, the instructor might take them for a walk to look for shells along the shoreline.

Father: She’d love that.

Before you hear the rest of the conversation, you have some time to look at questions 6 to 10.

[Pause]

Now listen and answer questions 6 to 10.

Father: Is there anything specific she needs to bring?

Staff: We provide the surfboards and the wetsuits. You just need to pack a towel and a change of dry clothes. Oh, and please make sure she has already applied plenty of sunscreen before she arrives at the beach. The sun reflects off the water, so they can burn very easily.

Father: I’ll make sure of that. And she wears glasses. Is that going to be a problem?

Staff: It’s highly recommended that she wears prescription goggles if possible. If she wears regular glasses in the water, she will likely lose them.

Father: Good point. I’ll look into getting some. Now, regarding the first day.

Staff: Yes. The daily sessions normally start at 9:00 am sharp. However, on the very first day—Monday—we ask you to arrive a bit earlier, at 8:45.

Father: 8:45. Is that to fill in the registration forms?

Staff: You can actually do that online beforehand. The main reason for the early start is that we need time to check the fit of the wetsuit we assigned her. It has to sit snugly. If it’s too loose, she’ll get cold. So we need that 15 minutes to swap it for a different size if necessary.

Father: Understood. And where exactly do we meet you?

Staff: When you get to the main beach car park, look towards the lifeguard tower. We meet just behind it, right next to the Moorings cafe.

Father: Sorry, the Moorings cafe? How do you spell that?

Staff: It’s M-O-O-R-I-N-G-S. They have a large wooden deck, we gather right there.

Father: Okay, Moorings cafe. Got it. And finally, what is the cost for the week?

Staff: Our standard price is £180, but we currently have a summer promotion running, so it is reduced to £150 for the five days.

Father: £150. That sounds very reasonable. I’d like to go ahead and book her in...

That is the end of Part 1. You now have half a minute to check your answers to Part 1.

Audio Script

Part 2

Part 2

Part 2

You will hear a volunteer coordinator named Simon Clark giving a talk to a group of potential volunteers about opportunities at the wildlife reserve.

First, you have some time to look at questions 11 to 14.

[Pause]

Now listen carefully and answer questions 11 to 14.

Simon: Good evening everyone, and thanks for coming along to this information session. My name is Simon Clark, and I manage the volunteer programme here at the Brackenwood Wildlife Reserve. We are always looking for enthusiastic people to join our team, and tonight I want to outline what you can expect if you decide to sign up.

Now, people volunteer with us for many different reasons. You might assume that the majority of our helpers are retired locals wanting to give something back to the community. While we do have some wonderful older volunteers, actually, the largest group walking through our doors right now are university undergraduates. They are acutely aware that having practical conservation experience is absolutely vital to boost their future career prospects in ecology or zoology.

Working here is incredibly rewarding, but I have to be honest about the physical demands. It’s certainly not like sitting at a desk in an administrative role. You are on your feet all day, often navigating uneven, muddy ground. While you definitely don’t need to be training for a marathon, a certain amount of stamina is essential. If you struggle with walking long distances or carrying buckets, this might be a tough environment for you.

Another aspect to consider is the social side. Working out on the far edges of the reserve can occasionally feel a bit solitary, but we actively try to combat that. We consciously foster a sense of community by hosting regular get-togethers, such as a barbecue or a trivia night once a month. It’s a fantastic way to mingle with people from all walks of life who share your passion for nature.

However, there is one common misconception I need to clear up right at the start. I must burst the bubble for those of you who have seen our promotional photos and assume you'll be cuddling hedgehogs or hand-rearing baby owls. In reality, interacting closely with the wildlife is strictly restricted to our trained veterinary staff. As a volunteer, your work is far more likely to involve mucking out enclosures, repairing fences, or clearing pathways. It’s dirty work, so you need to be prepared for that.

Before you hear the rest of the talk, you have some time to look at questions 15 to 20.

[Pause]

Now listen and answer questions 15 to 20.

Simon: Right, let me move on to the specific roles we are currently recruiting for. We have several distinct positions available, so hopefully, there is something to suit your skills.

First, we are looking for a Visitor Guide. This role doesn't involve manual labour. Instead, you'll be based in the main observation hide, helping the public to spot birds and identify different species. The key requirement here is not actually having an encyclopedic knowledge of local birds—we can teach you all of that—but rather an outgoing personality. You must be comfortable addressing large crowds, especially when we have excited school children visiting.

Next, we have a vacancy for a Habitat Assistant. This is a very hands-on role. You’ll be working directly with the rangers to maintain the woodland and riverbanks. We are looking for someone who is practically minded. It would be a huge advantage if you have experience using tools, as you’ll frequently be asked to construct wooden bird boxes or fix broken timber walkways.

Then there is the role of feed preparation. This takes place in the animal kitchen. It’s a vital job, preparing the daily diets for everything from the foxes to the deer. However, it does require a specific lifestyle commitment. Because the animals need their breakfast first thing, the person doing this must be an early riser who can get to the centre by 6:30 am without fail.

We are also looking for a Social Media Assistant. We need to keep our website and digital pages updated to attract donations. The great thing about this role is that it can actually be done entirely from your own house, which suits a lot of people's schedules. You’ll be receiving raw reports from the rangers and turning them into engaging stories for our followers.

For those interested in science, we have a position for a Wildlife Surveyor. This involves walking specific routes around the reserve and recording sightings of butterflies and dragonflies. It requires a great deal of patience. More importantly, you must be the sort of person who rarely makes mistakes when writing down numerical data, as the scientists rely on our accuracy.

Finally, we need a Weekend Marshal. This is for the car park and entry area, which can get extremely chaotic on Saturdays and Sundays. The main thing we look for here is consistency. We need someone who can guarantee they will be available every single weekend during the busy summer season to manage the traffic flow effectively.

That is the end of Part 2. You now have half a minute to check your answers to Part 2.

Audio Script

Part 3

Part 3

Part 3

You will hear two environmental science students called Liam and Sophia planning a presentation on the 'Urban Heat Island' effect.

First, you have some time to look at questions 21 to 24.

[Pause]

Now listen carefully and answer questions 21 to 24.

Liam: Hi Sophia. Thanks for meeting up. We really need to sort out this presentation on Urban Heat Islands.

Sophia: I know. I’ve brought my notes. I thought we could start by discussing the field work we did last week?

Liam: Good idea. You measured the surface temperatures in the city park versus the concrete car park, right?

Sophia: Yes. I took readings every hour for twelve hours.

Liam: How did it go?

Sophia: Well, the actual data collection was fine. The thermometer worked perfectly. The main issue I had was actually with the timing. I had to run between the two sites to get the readings at exactly the same time, and because there was so much congestion on the streets between them, I kept getting held up. It was really stressful trying to stick to the schedule.

Liam: I can imagine. But did the results show a big difference?

Sophia: Huge. The concrete was about 4 degrees hotter. What about your experiment? You were looking at wind flow between skyscrapers?

Liam: Yeah. I set up an anemometer—you know, the wind speed gadget—in that narrow alleyway behind the library.

Sophia: And?

Liam: Well, the data was a bit useless, to be honest.

Sophia: Why? Was the equipment broken?

Liam: No, the battery was full. I realized afterwards that I was actually standing directly upwind of the device for half the time. My own body was blocking the airflow from reaching the sensor. I completely messed up the methodology. I’ll probably have to redo it.

Sophia: Oh, that’s a shame. But at least you know for next time.

Liam: True. By the way, did you read that article by Professor Haddon regarding the historical data of the city?

Sophia: The one comparing 1950s temperatures to today?

Liam: Yes. I was surprised by his main argument. He claims that the temperature rise isn't just about all the new concrete and glass trapping the heat.

Sophia: I know. He thinks the biggest factor was the filling in of the old canal network. He argues the city lost its natural cooling mechanism when we paved over those urban waterways.

Liam: It's a bold claim, but the data he included regarding moisture levels in the air was very convincing.

Sophia: Definitely. I think we need a specific slide for that. It gives good background context.

Liam: Agreed. Let's add that in.

Before you hear the rest of the discussion, you have some time to look at questions 25 to 30.

[Pause]

Now listen and answer questions 25 to 30.

Sophia: So, moving on to the second part of the presentation: Solutions. How do we cool our cities down? What should we include?

Liam: We definitely need to talk about 'Green Roofs'. You know, planting vegetation on top of buildings.

Sophia: I’ve read a lot about that. It’s effective, but there is a major drawback. It’s incredibly costly to retrofit an old building to support the weight of the soil. Most developers simply won't do it unless the government pays for it.

Liam: Right. So we should mention that it’s an economic challenge. What about 'Cool Pavements'? Painting roads white to reflect the sun?

Sophia: I’m sceptical about that. I read a study from Los Angeles. They painted the roads, and initially, it worked. But after just a few months, the roads got covered in tyre marks and dirt, so they turned grey again. The benefit just didn't last.

Liam: Ah, so durability is the issue there. Okay. What about reflective glass on new skyscrapers? We could add a slide on that.

Sophia: I looked into it. The issue is that the glass just bounces the solar radiation straight down to the pavement. It actually makes things even hotter for pedestrians.

Liam: Oh, right. Let's completely ignore that one then. But we have to mention air conditioning. It’s more of a cause than a solution, isn't it? Buildings get hot, so people turn on the AC, which pumps hot air out into the street.

Sophia: Exactly. And there was an interesting statistic I found. When you survey people, they claim they set their AC to 24 degrees. But when you check the smart-meter data, the average is actually 21 degrees. People simply underestimate how much energy they are consuming.

Liam: That's a great point about human behavior. Let's definitely include that. And finally, street trees.

Sophia: That’s the most obvious solution. But we need to explain 'evapotranspiration'. Trees release water vapor which cools the air. I think we should focus heavily on this because, out of all the options, it has the best cost-to-benefit ratio.

Liam: Agreed. Now, do we want to talk about the impact of these heat islands on local wildlife?

Sophia: I thought about that. But our assignment brief is specifically about human health and energy consumption. If we start talking about biodiversity, the presentation will lose its focus and become much too broad.

Liam: You’re right. We’d better leave that out.

Sophia: Good plan. Let’s stick to the thermal comfort aspect.

That is the end of Part 3. You now have half a minute to check your answers to Part 3.

Audio Script

Part 4

Part 4

Part 4

You will hear a lecture given by an anthropology student about the history and resurgence of pottery and ceramics.

First, you have some time to look at questions 31 to 40.

[Pause 1 minute]

Now listen carefully and answer questions 31 to 40.

Student: Good afternoon. Today we are going to dig into the history of one of humanity's oldest technologies: Pottery. When we hear the word pottery, we often imagine a dusty museum exhibit or perhaps a simple plant pot in the garden. However, the story of ceramics is actually the story of human civilization itself.

Interestingly, while pottery is an ancient skill, we are currently witnessing a massive resurgence in its popularity. In the last five years, membership at community ceramic studios in cities like London and New York has doubled. This is a trend that sociologists find quite fascinating. For much of the 20th century, the domestic craft of making pots declined sharply. This was largely due to the Industrial Revolution, which introduced mass production. Suddenly, factories began churning out thousands of identical plates and cups from inexpensive substances. Initially, they used metal, and in later decades, they shifted to plastic, because it was incredibly lightweight and durable compared to handmade earthenware.

So, why are people returning to the clay now? The primary driver seems to be psychological rather than practical. We live in a digital age where so many of our actions—swiping on a screen, typing on a keyboard—result in virtual, intangible outcomes. Working with clay offers an antidote to this. It provides a tactile connection to the physical world. Research indicates that the sensory experience of manipulating wet clay can significantly lower cortisol levels, effectively combatting daily stress. It forces the maker to slow down and focus entirely on the present moment, a state often referred to as 'mindfulness'.

Let's look back at the origins. We used to think that pottery was invented when humans started farming, to store grain. But recent discoveries have overturned this idea. The oldest ceramic statues, found in the Czech Republic, date back to 29,000 BC—long before the invention of agriculture. These earliest figures were definitely not functional items for cooking; archaeologists believe they were designed strictly for ritual use.

However, functional pottery—bowls and jars—did appear later. The first pots were not made on a wheel. They were made using a technique called 'coiling'. This involves rolling the clay into long snakes and stacking them in circles to build a wall. Another early method involved taking a woven basket and coating the inside of it with mud to make it waterproof. When these were accidentally dropped in a fire, the wood burnt away, but the hard clay liner remained, giving early humans the idea for firing pots.

A major technological leap occurred around 4,000 BC with the invention of the potter's wheel. Interestingly, this spinning device was used for shaping clay long before it was used for transportation on carts or chariots. It allowed for thinner walls, faster production, and much more symmetrical shapes.

From an archaeological perspective, pottery is incredibly valuable. Unlike wood which rots, or metal which rusts and can be melted down and reused, fired clay is chemically stable. It lasts forever. Even if a pot breaks, the pieces, known as shards, remain in the soil for thousands of years. Because different regions utilized specific clay types and distinct decorative patterns, historians can analyze these broken pieces to trace ancient trade routes. If we find a Greek wine jar in France, we know those two groups were interacting.

Now, let's discuss the science of the material. Clay is essentially decomposed rock. But the magic happens in the kiln. However, even after firing, basic earthenware is porous—it leaks water. To fix this leaking issue, ancient craftspeople developed a technique to seal the vessel. They brushed on a special liquid mixture known as a glaze.

The chemistry of this is fascinating. This mixture is essentially a suspension of liquid glass. When the pot goes back into the heat for a second time, it melts and forms a smooth, waterproof layer. Ancient chemists also learned to manipulate this layer for decoration. They discovered that introducing metal oxides altered the visual outcome; for instance, copper turns things green, whereas incorporating cobalt yields a brilliant blue.

Finally, I want to touch on the social aspect. In the past, manufacturing ceramics was rarely a solitary pursuit. It required digging large volumes of earth, gathering timber for the kiln, and managing the fires for days. Therefore, the heavy workload naturally evolved into a community endeavor. Today, the modern ceramic studio is recreating this social hub, bringing people together to share kilns and ideas, proving that this ancient technology still has a vital place in our modern lives.

That is the end of Part 4. You now have one minute to check your answers to Part 4.

FREE PRACTICE RESOURCES

Download the IELTS Practice PDF Pack.

Get Listening, Reading, and Writing practice materials for self-study. Use a computer to download the 1.9GB pack.

Download PDF Pack
Chat History
My Notes